Carlee Thompson (b. 1999 Victoria, BC) is an emerging artist working as a guest on the unceded lands of the Musqueam, Squamish, and Tsleil-Waututh nations. Thompson received their BFA from Emily Carr University of Art + Design in 2022 and has been the recipient of Renée Van Helm + Pietro Widmer Graduation Award for Visual Arts (2022), the Jessie Allan Forsyth Memorial Scholarship (2019) and, the Clay Foundation Visual Arts Award (2018). Thompson has participated in nine group exhibitions in Canada.
Carlee Thompson’s interdisciplinary practice incorporates multiple mediums, including ceramics, photography and painting. Working as a production potter, Thompson uses both wheel throwing and slip casting methods to create functional wares, emphasizing repetition and uniformity. Creating wares for clients such as Celsia Floral and Barter Design.
In contrast to utilitarian design their practice explores the interaction between shape and space, investigating the physicality of objects through texture, colour and fragmentation. Connective forms, vibrant color palettes, and sharp-edged shapes, create decisive action within a visual language. These recurring motifs of materiality intersect with digital documentation to question and exaggerate contemporary experiences. Often starting from photographs taken while cycling around North America, the images are then broken down or abstracted into layers which are painted onto the surface of large fragmented vessels. Melding a painting practice to ceramics through the use of clay as canvas.
Website: carleethompson.com
Social Media: @icaarlee




CAIR Applicant Criteria
Applicants are required to have ceramics experience, which may be gained through post-secondary education or equivalent training and practice.
Considered an emerging artist. We define emerging ceramic artists as those in the first few years of their professional development and not currently making their entire living from their artwork.
There is no fee to submit an application.
The CAIR Receives:
Dedicated Studio Space
Private studio with wheel, shelving, and workspace for up to 6 months, accessible during facility operating hours.
Solo Exhibition
A 6–7 week gallery exhibition of residency work, with curatorial support.
Group Exhibition Opportunities
Potential inclusion in select group shows.
Support Structure
Combination of in-studio practice and optional remote engagement for research, planning, and virtual talks.
Mentorship & Professional Development
Regular guidance from Ceramics and Exhibitions staff, including portfolio reviews and curatorial coaching.
CAIR Artist Profile
Featured profile on the PoMoArts website.
Teaching Experience
Paid teaching/workshop opportunities may be offered after the residency, with optional mentorship in planning and strategies.
Kiln Access
Up to 2 glaze and 1 bisque firings per month (or equivalent), prioritized for exhibition work.
Community Engagement
Participation in Potters Studio sessions with students and connections with PoMoArts' active ceramic artist network.



